Dolby Atmos To the Rescueĭolby Atmos is the leading format for Immersive Audio and it solves those problems with traditional surround sound. ![]() Using the exact same proportional mix for surround for every playback environment is less than ideal.Īlso – with traditional surround sound – the soundscape can really only exist in 2 dimensions, as the speaker arrangement cant play sounds above or below the audience. The room may have more or less bounce or sound absorption, etc. The problem with this is that no 2 speaker setups or rooms are the same! Surround speakers may be closer or farther. So in 5.1, this would be Left, Right, Center, the subwoofer (or LFE), Left Surround, and Right Surround. Traditional surround sound has meant rendering out individual audio stems for each speaker. ![]() A Dolby Atmos mastering suite from our friends at Ott House Audio What Was Wrong With Surround Sound? That’s right – if you have the studio version of Resolve – you can now edit and deliver with Dolby Atmos without any additional cost. This is fantastic news because it means delivering these sought-after formats are now within reach of the independent colorist and finisher! Now, Resolve 17 expands on that functionality by adding native support for importing, editing, mixing, and delivering immersive audio formats. Over the years – we’ve seen Resolve expand in scope from a color grading only tool to full-fledged editing and finishing all in one wonder. Tutorials / How To Set Up and Deliver Dolby ATMOS in Resolve 17 Day 17: 24 Insights in 24 Days New Year Marathon Immersive Audio In DaVinci Resolve
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